Representation

Preserving Armenia Within America

What does it mean to be a byproduct of your culture? Or better yet, what does it mean to be a blend of more than one? It’s a big question, one that many families and individuals ask themselves as our world becomes more open and diverse. But, how better to approach this topic than through art?

It’s exactly how Rafaella Safarian has taken on the exploration of her cultures. On top of running her own literary magazine, Hyebred Magazine, she’s also a writer who looks at the world she grew up in and the world around her to drive her fiction forward.

“I grew up in an Armenian household and I grew up going to the Armenian church, so it was really based on all of my observations about myself, my family, my culture and kind of creating these stories to make it relatable,” said Rafaella. “Cause in a sense they’re like immigrant stories, some of them, and you appreciate how far your culture has brought you.”

IMG_1838.PNG

(Check out/listen to the full podcast here! Or just keep reading as well, reading is cool.)


She recently graduated from her undergrad in Creative Writing, but during her time in school, she was able to find what she wanted to write towards. Many young writers struggle in finding their ‘voice’ or know what they are writing about. Rafaella not only knows what she is writing about, but she explores it further as she grows as an artist.

In fact, Rafaella wrote four short stories for her thesis, titled “The Half-Open Pomegranate” which is heavily based on the Armenian culture.

“The image of the half-open pomegranate is a symbol of what Armenia has become,” said Rafaella. “The pomegranate, which is the motherland, was ripped open during the Genocide of 1915. Her seeds have scattered all over the globe, sprouting new communities which are still thriving to this day. Each of the stories embodies the strength of the Armenian people, who are more than just victims of Genocide. They are fruitful, resilient, and indestructible.”

Her stories don’t stop there, though. She might have finished her thesis defense (phew) but, to her, that doesn’t mean her stories are done.

“How can I learn from this piece?” she asks herself. “How can I incorporate what I have learned during my four years doing a bachelor’s in creative writing? How can I use all that knowledge to make this the best story I can? I’m just kind of building the short story collection, actually. I’m revising here and there because, as a perfectionist, and I think any artist or writer will say that their work is not finished yet.”


As hard of a worker as she is, Rafaella is very humble about the work she does. She knows what it means to be a young artist and wears the badge proudly.

“I’m an Emerging writer, and I’m totally fine with that,” she said. “I think there’s a fear of being an emerging writer because a lot of the time, you’re still trying to find your voice and I think a lot of publishers think you’re trying to find your voice too. So, if you send them your best, then they’ll know, who this person is and I think that’s really important to establish yourself as a writer, in terms of your voice.”

Just like any other writer, established  or otherwise, Rafaella has received her fair share of rejection letters. But as the editor-in-chief of Hyebred Magazine, a magazine dedicated to artists of Armenian descent, she doesn’t like to hand them out.

“For me, it’s like harder for me to write a rejection than to receive one,” she said. “I wanted it to be a space where emerging and established writers will definately be published. I think it is important for a CV booster, to have a publication under your belt in order to write a cover letter.”




IMG_1869.PNG

Her magazine has just published its fourth issue and is continuing to grow and thrive since she started it back in her undergrad.

“I was really shocked about how positive the response was and people who had originally submitted in the first issue, submitted in the third one as well and it was just kind of really wonderful because it kind of means that they trust the journal,” she said. “They trust its mission and that just makes me really happy.”

She is now continuing her studies, but not with writing. No, no. Rafaella is currently in law school learning about justice, but she wants to apply what she learns to her writing.

“Hopefully I will try to balance it. Hopefully it’s not 90% of studying, 10% writing,” she said. “Stepping away from writing is gonna be a challenge because I know that when I am not allowed to write, for example because I have to study, it’s gonna make me want to write more. I also think that’s gonna be a good thing cause I want this break to learn more about justice, and apply that to my writing.”

F3C15C9A-C473-46AC-A1B1-446893C19328.jpg

You can follow Hyebred Magazine and all of the amazing stuff Rafaella does on Twitter and Instagram.

You can also access Issue 4 and all the previous issues of Hyebred here!

Still want to know more about Rafaella and her amazing work, both in writing and in the community? Click here to listen to the full episode!

As always, THANK YOU SO MUCH FOR READING AND FOR SUPPORTING US! MUCH LOVE!!!

The Shameless Women in Comedy

As a young female comedian, Trejon Dunkley has had to step out of her boundaries to pursue her passions. This fierce lady has overcome many pressures and excuses from others to seek opportunities in the Phoenix area. She is now a regular star, coordinator and host in the local comedy scene but it hasn’t been easy for her to break through and join the “boy’s club” we know as stand-up comedy.

Meet Trejon Dunkley, a badass female comedian, actress, writer, editr, etc.

Meet Trejon Dunkley, a badass female comedian, actress, writer, editr, etc.

 

(Check out/listen to the full podcast here! Or just keep reading as well, I didn’t write this thing for nothing)

 

Looking at Trejon now, you wouldn’t imagine her journey to the stage to be met with so much doubt. She is a fearless, unapologetically funny and bright girl when she is in front of a crowd but she has had to overcome both racist and sexist interactions along the way.

 

Trejon came from a troubled home and had many instances growing up where she was bullied for the way she looked and acted. She speaks to how she didn’t fit in with the “cool black girl” mold and how her peers treated her.

 

“I got teased a lot because I wasn’t very good looking,” she says. “And I was very dark with kinky hair, so I got bullied a lot. I was just like a weird kid and I wasn’t cool, and you gotta be cool if you’re a black girl or you will be torn apart, and I just was not. I liked emo music and history.”

 

It wasn’t until she watched the 1997 movie of Cinderella with Brandy as the star, that she changed her outlook on what she could be. Trejon decided to pursue a degree in acting at Northern Arizona University after high school, but left quickly when she was met with the racist tones of her classmates.

 

“[They] were trying to tell me to ‘keep my expectations low’ because girls of your complexion don’t get leads. Another student just cornered me in the hallway and said ‘listen, you’re too black to get roles. I know. I’m dating a light-skinned black girl and she’ll probably get leads, but not if they find out she’s black.’”

220px-Cind_1997.jpg

 

Even though she had some good professors and friends at NAU, she realized she didn’t want to stay there. Who would?

 

So she moved to Arizona State University and joined the screenwriting program.

 

“I thought, if they’re not gonna give me roles, I’ll just write my own. That’s the mindset that I kind of went in with.”

 

It was there at ASU she took her first comedy class which was taught by a black woman, the only woman in the film and media faculty, in fact. Trejon speaks to how having her as a mentor allowed her the courage and community she needed to feel she wasn’t going into everything blindly.

 

“I think it’s so important to be able to see people who look like you and have come from similar backgrounds as you in those positions of power, as directors and as actors or as professors. Seeing someone in your field makes you feel like you actually can do it because they did it before and they did it 30 years before me when things were tougher. I would really like to be that voice for someone one day.”

 

Despite all she has faced in school, theatre, comedy (among other areas of her life) Trejon is now thriving within the Phoenix comedy scene.

 

She is the host for Maiden Phx, a monthly all-female comedy show, a co host for the Great Exposure comedy show in Phoenix and she is the coordinator for a weekly open mic.

 

In her roles, she works to support diversity and opportunities for women of all shapes, sizes and color. She makes sure she is cultivating young women to pursue their dreams and chances of comedy.

 

“Hire women. Trust women. Just give them the same benefit of the doubt that you would give any other recommendation. And if she sucks, it’s probably not cause she’s a woman. It’s cause she sucks. Same with writers or creators of color. Don’t just hire them on to be the ‘urban flava’ or like the diversity casting.”

36259281_391072301402141_5765682643542736896_n.jpg

 

She continues to push for women to join comedy and to give them the space they need to succeed.

 

Trejon said she knows the comedy scene is still very much a “boy’s club”, but the women in comedy aren’t to be fucked with. Rather, they should be treated with the same respect and patience as male comedians.

 

“There’s still not enough women getting booked. There’s still not enough women who have the confidence to take the chance and ask the booker because they’re afraid. I think we need to get past that and have that same kind of lack of shame that a lot of male comedians do.”

 

You can follow Trejon and all of the cool shit she does on her Instagram or her Twitter.

AND go check out Maiden Phx. It’s every 1st Thursday of the month at the Plazma Bar in Phoenix. You can also catch Trejon co hosting the Great Exposure comedy show at Plazma. And, every tuesday, she runs an open mic at Grand Avenue Pizza in Downtown Phoenix.

You can listen to the full episode here!

Thank to everyone for their support and ears so far! We here at We Must Ignite appreciate everything!